Friday, 25 October 2013
Monday, 21 October 2013
Audience Research Survey
As part of our research into music videos we sent out a questionnaire to 19 people, all aged between 16-18, asking them about their consumption of Indie music and how important music videos are.
(my graphs show the highest response for both gender);
(my graphs show the highest response for both gender);
Our results show that females were more like to listen to indie music, that they see music videos as important and that their opinions on a song are more likely to be influenced by a music video than males.
This will be important when it comes to planning our own music video, as it suggests who our target audience should be.
Friday, 18 October 2013
Reception Theory
Reception theory
·
Given that the Effects model and the Uses and
Gratifications have their problems and limitations a different approach to
audiences was developed by the academic Stuart Hall at Birmingham University in
the 1970s.
·
This considered how texts were encoded with
meaning by producers and the decoded (understood) by audiences.
The theory suggests that:
·
When a producer constructs a text it is encoded
with a meaning or message that the producer wishes to convey to the audience.
·
In some instances audiences will correctly
decode the message or meaning and understand what the producer was trying to
say.
·
In some instances the audience will either
reject or fail to understand the message.
Stuart hall identified three types of audience readings of
the text:
1.
Dominant or preferred
2.
Negotiated
3.
Oppositional
Dominant - audience decodes the message as the producer
wants them to do.
Negotiated - audience accepts, rejects or refines elements
of the text in light of previous held views.
Oppositional - where the dominant meaning is recognised but
rejected for cultural, political or ideological reasons.
Tuesday, 8 October 2013
Textual Analysis - Olly Murs
Textual analysis- Olly Murs- Right Place, Right Time
Olly Murs was born on the 14th of May 1984. He is
an English singer-songwriter, musician and television presenter. He rose to
fame after finishing as the runner-up in the sixth series of The Xfactor in
2009. He is currently signed to Epic Records in the United Kingdom, Columbia
Records in the United States, and Syco Music.
I have chosen to do
my textual analysis on the song ‘Right Place Right Time’ by Olly Murs. The song
was released on the 23rd of November 2013. I have chosen this song
because it has been released this year and there are many features to talk
about. The song is an upbeat, pop song and has a particularly young audience.
Olly Murs is presented in a good light for the audience and there are lots of
images of him being a genuine person. This is a rare experience in today’s
limelight as many artists are presented as to what their specific audience want
to see and not for whom they actually are.
Andrew Goodwin’s’
writing in ‘Dancing in the Distraction Factory’ argued that many music videos
shared 6 generic conventions. In this particular video there are intertextual
references to in particular; TV programmes and other popular cultures. There are references to
‘The Xfactor’ and the ‘comic relief’ challenge programme that is on every year.
These will have been shown in the music video to show were Olly Murs started in
terms of his music career and also to show him taking part in charity events to
show his audience that he is genuine and isn't self-centred and vain.
In
this music video there are lots of close-ups of Olly Murs. This is to sell the
artist as well as the record. He has a large female fan base and they will want
to see images of him as well as listen to the track. Many people will argue
that this video is more to promote the artist more than the song, as this will
attract more album sales with the females. This is a sales technique used by many artists in todays era so is expected form producers. However, compared to videos such as 'Miley Cyrus - We Cant Stop', this video attracts good publicity rather than the bad due to Olly Murs' good reputation.
Monday, 7 October 2013
How is the music industry regulated?
·
The music industry is mostly a self-regulated
organisation. But just as any other industry it has to have regulators to
protect all the people involved in the production and realisation of a song,
cd, a concert etc. (copyright, trade, music representation).
·
The most important are: BASCA, APRS, MPA, PRS, BPI and
OFCOM. Although all these companies have different aims the vision is the same:
- keep the music industry alive. However the fact that technology is evolving
so fast, makes it even harder for them to protect every single detail.
·
The internet, Is the most used media in the world, but
some times that is not a good thing. Sometimes songs come out to the public
long before the official release prejudicing the sales.
· Tighter regulations on sexualised music videos and a
single portal for parents to complain about products that are inappropriate for
children are to be proposed by a government report into the sexualisation and
commercialisation of childhood.
·
The music industry is expected to be told to put some
kind of advisory age rating such as films have on music videos. Earlier this
week the pop star Rihanna was unrepentant for filming a music video in which
she shoots someone who raped her. She has faced massive criticism from parent
groups in America.
In my opinion the music industry is right to have
these regulations because I do believe that some of the content in music videos
is inappropriate for the younger generation. Children can access YouTube easily
now due to the development of new technologies so it is inevitable that they
are more than likely going to see some inappropriate images and possibly try to
copy them. The cultivation theory supports this statement. One example of this
is the recent video from Miley Cyrus. In this video she has very little
clothing on and has been produced into a completely different image that we are
not used to seeing. This could cause children to copy this image and in effect
want to become her. I believe the producers are to blame for these
inappropriate images as they are moulding an artist to be something they’re
not.
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